study now steady (2023), live commission on view @ Center for Arts, Research and Alliances (CARA)
study now steady (2023), live commission on view @ Center for Arts, Research and Alliances (CARA)

"study now steady" is part of Ligia Lewis' first solo exhibition curated by Manuela Moscoso, Executive Director and Chief Curator, with production and exhibition design by Agustin Schang, and curatorial assistance by Marian Chudnovsky.

https://www.cara-nyc.org/program/exhibitions/ligia-lewis-study-now-steady

Images by Liz Ligon

deader than dead live @ Cordova (Barcelona) 2022
deader than dead live @ Cordova (Barcelona) 2022

https://www.contemporaryartlibrary.org/project/ligia-lewis-at-cordova-barcelona-27243

Live work presented at:

MUDAM Luxembourg (LU), La Casa Encendida (SP), Cordova (SP), Tono Festival (MX), upcoming Donau Festival (AT)

minor matter @ TATE / BMW Tate Live 2017
minor matter @ TATE / BMW Tate Live 2017

https://www.tate.org.uk/whats-on/tate-modern/bmw-tate-live-exhibition-ten-days-six-nights-2

curated by Catherine Wood, Isabella Maidment, and Andrea Lissoni

minor matter @ Converso (Milan) 2017
minor matter @ Converso (Milan) 2017

https://converso.online/en/archive/minor-matter

Sensation 1 / This Interior (High Line Performance) 2019
Sensation 1 / This Interior (High Line Performance) 2019

For the High Line, Lewis expands her solo work Sensation 1 into an hour-long performance for six dancers, scored and performed live by Twin Shadow. The figure of a vocalist who holds her concluding note forms the basis for Sensation 1/This Interior. Lewis stretches this climactic moment into a sustained articulation of feeling and affect across multiple bodies. An ecstatic choreographed form emerges into a collective experience.

Concept / Choreography / Light: Ligia Lewis Live Musical Score & Accompaniment: Twin Shadow performed by: Trinity Bobo, Jumatatu Poe, Miguel Guzman, Rebecca Gaul, Emma Cohen, Stephanie Peña

Ligia Lewis, Sensation 1/This Interior. A High Line Performance. curator: Melanie Kress

https://www.thehighline.org/art/projects/ligia-lewis/

Press: https://hyperallergic.com/519241/navigating-the-portals-between-works-by-ligia-lewis-and-firelei-baez/

Senstion 1 / This Interior (2019)
Senstion 1 / This Interior (2019)
Sorrow Swag ( among other monsters)  @ Jessica Silverman Gallery 2019
Sorrow Swag ( among other monsters) @ Jessica Silverman Gallery 2019

As part of Empathy Lab , Lewis reimagines her former stage work- Sorrow Swag, to further illuminate the politics of bearing witness to a body in flux and in a constant state of transformation. Relationally at play with the other objects in the room, Lewis uses monsters, understood culturally and racially, as a point of departure for this iteration.

Concept/Choreography : Ligia Lewis

sound: Twin Shadow

light: Joseph Wegmann

photo: Jennifer Bindman, on view at Jessica Silverman Gallery

Melancholy: A White Mellow Drama at Palais de Tokyo (2015)

Concept / Choreography / Direction / Light: Ligia Lewis performed by: Boglarka Borcsok sound design: Wynn

 talk with Rizvana Bradley and Erin Manning / Touch After Finitude, Stedelijk Museum (Hold Me Now- Studium Generale Rietveld Academie)  2018
talk with Rizvana Bradley and Erin Manning / Touch After Finitude, Stedelijk Museum (Hold Me Now- Studium Generale Rietveld Academie) 2018
so something happened, get over it; no nothing happened, get with it 2018
so something happened, get over it; no nothing happened, get with it 2018

Water Pressure curated by Myriam Ben Salah for Jaou Tunis 2018

Minor Matter @ Human Resources Los Angeles  2015
Minor Matter @ Human Resources Los Angeles 2015

by Ligia Lewis, with performer Kenneth Nicholson, musical arrangement WYNN

https://www.artforum.com/columns/catherine-damman-on-ligia-lewiss-minor-matter-at-human-resources-la-223032/

Sensation 1 @ sommer.bar / Tanz im August 2011

This single gesture of singing extended through time explodes its references to singing as such and creates a different kind of affect altogether. A sculptural choreography takes form, what is left is an abstractly sensing body articulating a particular sensation of the sensational- Timothy Murray

Concept/Direction: Ligia Lewis
Performance: Ligia Lewis (Tanz im August), Martin Hansen (NGBK gallery, Art Basel Liste Program )

Music: Whitney Houston “I will always love you” (Divas Live, 1999 live performance)
produced with support from sommer.bar/TanzimAugust/Basel Liste 2014

Sensation 1 @ NGBK gallery Berlin 2015
Sensation 1 @ NGBK gallery Berlin 2015

“This single gesture of singing extended through time explodes its references to singing as such and creates a different kind of affect altogether. A sculptural choreography takes form, what is left is an abstractly sensing body articulating a particular sensation of the sensational”- Timothy Murray

The amplification and extension of a moment in time, the utterance and suspension of a final spellbinding note made mute, the gesture of a singing body in rapture is illuminated in total silence. Sensation 1 is a social study of the cult of the pop “Diva.” Over time the singular gesture potentiates the richness and expressivity of the body at work in sustained climax. The choreography is reduced to its essentials, as we witness the effort of a body wailing silence.

Concept/Direction: Ligia Lewis

Performance: Martin Hansen (NGBK gallery, Art Basel Liste Program 2014

Music: Whitney Houston “I will always love you” (Divas Live, 1999 live performance)

produced with support from sommer.bar/TanzimAugust/Basel Liste 2014

photo : Alex Coggin

study now steady (2023), live commission on view @ Center for Arts, Research and Alliances (CARA)
study now steady (2023)
deader than dead live @ Cordova (Barcelona) 2022
deader than dead @ Cordova
minor matter @ TATE / BMW Tate Live 2017
minor matter @ TATE live
minor matter @ OGR Torino 2018
minor matter @ Converso (Milan) 2017
Sensation 1 / This Interior (High Line Performance) 2019
Senstion 1 / This Interior (2019)
Sorrow Swag ( among other monsters)  @ Jessica Silverman Gallery 2019
Melancholy: A White Mellow Drama at Palais de Tokyo (2015)
 talk with Rizvana Bradley and Erin Manning / Touch After Finitude, Stedelijk Museum (Hold Me Now- Studium Generale Rietveld Academie)  2018
so something happened, get over it; no nothing happened, get with it 2018
Minor Matter @ Human Resources Los Angeles  2015
Minor Matter @ Human Resources Los Angeles 2015
$$$  @ X-Choreografin / Tanz im August 2012
Sensation 1 @ sommer.bar / Tanz im August 2011
Sensation 1 @ NGBK gallery Berlin 2015
study now steady (2023), live commission on view @ Center for Arts, Research and Alliances (CARA)

"study now steady" is part of Ligia Lewis' first solo exhibition curated by Manuela Moscoso, Executive Director and Chief Curator, with production and exhibition design by Agustin Schang, and curatorial assistance by Marian Chudnovsky.

https://www.cara-nyc.org/program/exhibitions/ligia-lewis-study-now-steady

Images by Liz Ligon

deader than dead live @ Cordova (Barcelona) 2022

https://www.contemporaryartlibrary.org/project/ligia-lewis-at-cordova-barcelona-27243

Live work presented at:

MUDAM Luxembourg (LU), La Casa Encendida (SP), Cordova (SP), Tono Festival (MX), upcoming Donau Festival (AT)

minor matter @ TATE / BMW Tate Live 2017

https://www.tate.org.uk/whats-on/tate-modern/bmw-tate-live-exhibition-ten-days-six-nights-2

curated by Catherine Wood, Isabella Maidment, and Andrea Lissoni

minor matter @ Converso (Milan) 2017

https://converso.online/en/archive/minor-matter

Sensation 1 / This Interior (High Line Performance) 2019

For the High Line, Lewis expands her solo work Sensation 1 into an hour-long performance for six dancers, scored and performed live by Twin Shadow. The figure of a vocalist who holds her concluding note forms the basis for Sensation 1/This Interior. Lewis stretches this climactic moment into a sustained articulation of feeling and affect across multiple bodies. An ecstatic choreographed form emerges into a collective experience.

Concept / Choreography / Light: Ligia Lewis Live Musical Score & Accompaniment: Twin Shadow performed by: Trinity Bobo, Jumatatu Poe, Miguel Guzman, Rebecca Gaul, Emma Cohen, Stephanie Peña

Ligia Lewis, Sensation 1/This Interior. A High Line Performance. curator: Melanie Kress

https://www.thehighline.org/art/projects/ligia-lewis/

Press: https://hyperallergic.com/519241/navigating-the-portals-between-works-by-ligia-lewis-and-firelei-baez/

Senstion 1 / This Interior (2019)
Sorrow Swag ( among other monsters) @ Jessica Silverman Gallery 2019

As part of Empathy Lab , Lewis reimagines her former stage work- Sorrow Swag, to further illuminate the politics of bearing witness to a body in flux and in a constant state of transformation. Relationally at play with the other objects in the room, Lewis uses monsters, understood culturally and racially, as a point of departure for this iteration.

Concept/Choreography : Ligia Lewis

sound: Twin Shadow

light: Joseph Wegmann

photo: Jennifer Bindman, on view at Jessica Silverman Gallery

Melancholy: A White Mellow Drama at Palais de Tokyo (2015)

Concept / Choreography / Direction / Light: Ligia Lewis performed by: Boglarka Borcsok sound design: Wynn

talk with Rizvana Bradley and Erin Manning / Touch After Finitude, Stedelijk Museum (Hold Me Now- Studium Generale Rietveld Academie) 2018
so something happened, get over it; no nothing happened, get with it 2018

Water Pressure curated by Myriam Ben Salah for Jaou Tunis 2018

Minor Matter @ Human Resources Los Angeles 2015

by Ligia Lewis, with performer Kenneth Nicholson, musical arrangement WYNN

https://www.artforum.com/columns/catherine-damman-on-ligia-lewiss-minor-matter-at-human-resources-la-223032/

Sensation 1 @ sommer.bar / Tanz im August 2011

This single gesture of singing extended through time explodes its references to singing as such and creates a different kind of affect altogether. A sculptural choreography takes form, what is left is an abstractly sensing body articulating a particular sensation of the sensational- Timothy Murray

Concept/Direction: Ligia Lewis
Performance: Ligia Lewis (Tanz im August), Martin Hansen (NGBK gallery, Art Basel Liste Program )

Music: Whitney Houston “I will always love you” (Divas Live, 1999 live performance)
produced with support from sommer.bar/TanzimAugust/Basel Liste 2014

Sensation 1 @ NGBK gallery Berlin 2015

“This single gesture of singing extended through time explodes its references to singing as such and creates a different kind of affect altogether. A sculptural choreography takes form, what is left is an abstractly sensing body articulating a particular sensation of the sensational”- Timothy Murray

The amplification and extension of a moment in time, the utterance and suspension of a final spellbinding note made mute, the gesture of a singing body in rapture is illuminated in total silence. Sensation 1 is a social study of the cult of the pop “Diva.” Over time the singular gesture potentiates the richness and expressivity of the body at work in sustained climax. The choreography is reduced to its essentials, as we witness the effort of a body wailing silence.

Concept/Direction: Ligia Lewis

Performance: Martin Hansen (NGBK gallery, Art Basel Liste Program 2014

Music: Whitney Houston “I will always love you” (Divas Live, 1999 live performance)

produced with support from sommer.bar/TanzimAugust/Basel Liste 2014

photo : Alex Coggin

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